Peaches

Peaches
w/ Men

7 PM Doors
You think you know Peaches? Perhaps you do. Whether you’ve been a fan since before her groundbreaking 2000 debut, The Teaches of Peaches, or just met for the first time, prepare to get to know her much, much better.

Peaches has always trafficked in subversion. On her fourth full-length, I Feel Cream, what she subverts—time and again—are preconceived notions of who Peaches is and what she does. Having held the attention of international audiences for a decade, now she reveals new dimensions of her artistry. These twelve new songs feature vocal performances of startling vulnerability and cool sophistication. A minimalist, nothing-is-wasted economy of sound that throws every lyric and groove into sharp relief. And a fresh take on Peaches’ fiercely independent approach to writing and production, with assistance from colleagues as formidable and inspired as the artist herself.

A revolutionary figure in 21st century electronic music, Peaches can also reference the innovations of like-minded icons who preceded her with cool assurance. The dark, throbbing synthesizers and mechanized handclaps of “More” underscore her affinity for Suicide—as does her decision to eschew guitars throughout the album, even on the neck-snapping “Show Stopper.” On the title track, she effortlessly sings in a melodic high register—we’ve never heard her sing like this before—over oscillating keyboards, then suddenly snaps back with cool, early-era rap style over a killer electro beat a la Shannon’s “Let the Music Play,” evoking that blissful era in the early ‘80s when disco returned underground and mutated.