Review: Raw-but-rewarding ‘Precious’ is great American cinema

Gabourey Sidibe, left, and Mo’Nique could go home with Oscars for their performances in the hard-to-watch-but-rewarding “Precious.”

Gabourey Sidibe, left, and Mo’Nique could go home with Oscars for their performances in the hard-to-watch-but-rewarding “Precious.”

As Hollywood closed specialty divisions that aimed for quality and personal stories, as studios focus more and more on superhero sagas and action blockbusters, cinema fans have rightly wondered, who’s left to make great American movies?

For one, the makers of “Precious: Based on the Novel ‘Push’ by Sapphire,” who assembled some of the unlikeliest ingredients — Mariah Carey, Mo’Nique, and a lead actress plucked from an anonymous casting call — to create a wondrous work of art.

The film isn’t easy to watch and will test your tolerance for despicable behavior as a long history of physical abuse and incest unfolds involving an illiterate, obese Harlem schoolgirl.

Yet “Precious” — both the film and its grandly resilient title character — will steal your heart. Lee Daniels, in just his second film as director, crafts a story that rises from the depths of despair to a place of genuine hope.

This isn’t a fairy tale. “Precious” doesn’t strain to present some happy-ever-after transformation that simply never could happen considering the harsh reality in which it’s set.

Rather, the film reflects an inner spirit everyone can recognize, that role-playing game we indulge in to get us through our big and small hard times, imagining our lives are different, better. That we are different and better.

Played in a phenomenal screen debut by Gabourey Sidibe, Claireece “Precious” Jones makes an utterly believable and electrifying rise from an urban abyss of ignorance and neglect.

The film is simultaneously tender and savage as Precious learns to apply that simple verb: Push yourself, push your boundaries, if others try to stop you, push them out of the way.

When we first encounter her, Precious is pregnant with her second child by her own father, who raped her repeatedly while her mother, Mary (Mo’Nique), looked the other way and later heaped abuse on her daughter out of jealousy and spite.

Mo’Nique, best known for raunchy, low-brow comedy, embodies Mary perfectly, not as a villain but a woman too ignorant, too unaware to fathom what a horrible person she is. When Mo’Nique’s Mary says she did her best for Precious, you believe that she believes it. Mo’Nique should win an Oscar for this performance.

The reverse of Mary is Blu Rain (the radiant Paula Patton), a teacher at an alternative school where Precious finally begins to learn after years of getting good grades while remaining unable to read and write at public school.

Blu is chief among the guardian angels that come into Precious’ life. Her benefactors also including Lenny Kravitz as a maternity-ward nurse, Sherri Shepherd as a worker at her new school and a room full of vibrant young women who become more like sisters than classmates.

Carey delivers warmly and honestly in a small role as a social worker, a surprising turnaround from the bomb “Glitter.”

While veteran performers reveal previously unsuspected depth, Sidibe is an out-of-nowhere revelation. She was in college in the Bronx, where she had appeared in some campus theater, when she turned up for open auditions on “Precious.” Sidibe’s Precious is scary, funny, fragile, willful, exasperating, ferocious, sweet, indignant, joyful — while at heart remaining a little girl in desperate need of just one hand to hold, one finger to point her the way. She and Mo’Nique both could be going home with Oscars.

Geoffrey Fletcher’s screenplay mirrors Sapphire’s first-person novel, allowing Precious to blossom in her own words as her confidence builds as a writer.

Daniels seamlessly blends the stark awfulness of Precious’ life with fantasy sequences in which she’s a star, interviewed at red-carpet premieres, performing at the Apollo, then ultimately and lovingly coaxes his heroine into a better reality somewhere in between.

You could call “Precious” one of those little miracles of independent film, but you’d be wrong. “Precious” constitutes one very big miracle — and a glimpse of what American cinema still can be.

© 2009, The Associated Press. All Rights Reserved.
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